Sony Planar T FE 50mm f1.4 ZA Lens – Kenya
KSh174,600.00
Sony Planar T FE 50mm f1.4 ZA Lens in Kenya
Sony Planar T FE 50mm f1.4 ZA Lens Price in Kenya is Ksh.174,600.This high-performance ZEISS** 50mm prime lens features a large F1.4 maximum aperture as well as spectacular contrast and resolution throughout every image. The large aperture makes it easier to shoot in low light and, in combination with an 11-blade aperture design, can produce gorgeous bokeh. Other benefits include fast, precise focus and versatile control for stills and movies.Buy Sony Planar T FE 50mm f1.4 ZA Lens at best price in Kenya at Adishnetservices.
Breathtaking resolution and contrast
Two aspherical elements, including one AA (advanced aspherical) element, plus ED glass elements maintain high resolution and contrast at all apertures, from corner to corner.
Sony Planar T FE 50mm f1.4 ZA Lens Price in Kenya
Price in Kenya : Ksh.
174,600
Image Stabilization
No
Lens
Focal Length
50mm
Maximum Aperture
f/1.4
Minimum Aperture
f/16
Lens Mount
Sony E-Mount
Format Compatibility
Full Frame
Angle of View
47**
Maximum Magnification
0.15x
Minimum Focus Distance
1.48** / 45 cm
Optical Design
12 Elements in 9 Groups
Diaphragm Blades
11, Rounded
Focus Type
Autofocus
Filter Size
72 mm (Front)
Physical
Dimensions
3.29 x 4.25** / 83.5 x 108 mm
Weight
27.5 oz / 780 g
Packaging Information
Box Dimensions (LxWxH)
7.6 x 4.9 x 4.7**
Package Weight
2.5 lb
**
Kenya
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Compact, lightweight standard zoom covers ultra-wide 20 mm to 70 mm
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Standard zoom redefined: ultra-wide 20 mm to 70 mm
This versatile, high-performance E-mount lens offers a zoom range that extends from ultra-wide 20 mm to 70 mm in a compact, lightweight model that has been painstakingly designed with no compromises in image quality, AF performance, or movie operability.
Outstanding G Lens image quality
Two AA (advanced aspherical) elements and three ED (Extra-low Dispersion) glass elements simultaneously correct chromatic and spherical aberration for extremely high optical performance right out to the image edges, from ultra-wide 20 mm to 70 mm. Deep, soft bokeh is enhanced by a 9-blade circular aperture and optimally tuned spherical aberration, supporting the creation of beautiful, memorable imagery.
Peak AF performance for stills and movies
Two XD (extreme dynamic) Linear Motors provide high thrust for fast, quiet, smooth focus drive. Improved thrust efficiency results in up to a 60% increase in AF speed, and tracking performance has been improved by as much as two times so tracking is reliable and precise. Moving subjects are reliably tracked when shooting continuous stills at up to 30 fps, and high-frame-rate movie capture is smooth.
Refined movie imagery
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High-level operability and reliability for any environment
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Sleek and Retractable Standard Zoom
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Form Factor and Optical Design
A variable aperture of f/3.5-5.6 helps keep the lens** overall size and weight to a minimum.
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Power Zoom, Image Stabilization, and AF
Power Zoom mechanism enables making smooth zoom movements, suitable for video recording, via the on-lens switch or via camera-based controls on select camera bodies.
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Sony E PZ 16-50mm f/3.5-5.6 OSS Specs
Key Specs
Focal Length
16 to 50mm (35mm Equivalent: 24 to 75mm)Maximum Aperture
f/3.5 to 5.6Lens Mount
Sony ELens Format Coverage
APS-CFocus Type
AutofocusImage Stabilization
YesFilter Size
40.5 mm (Front)
Maximum Aperture
f/3.5 to 5.6Minimum Aperture
f/22 to 36Lens Mount
Sony ELens Format Coverage
APS-CAngle of View
83** to 32**Minimum Focus Distance
9.84** / 25**cmMaximum Magnification
0.21xOptical Design
9 Elements in 8 GroupsDiaphragm Blades
7, RoundedFocus Type
AutofocusImage Stabilization
YesFilter Size
40.5 mm (Front)Dimensions (** x L)
2.55 x 1.18** / 64.77 x 29.97**mmLength at Maximum Extension
2.04** / 51.8**mmWeight
4.09**oz / 116**g -
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An Art-series zoom, this lens is also distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. Featuring a sophisticated optical design, a series of low dispersion and aspherical elements is used to minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high sharpness, clarity, and color accuracy. A Super Multi-Layer Coating combined with a Nano Porous Coating also helps to suppress lens flare and ghosting to a greater degree than conventional anti-reflective coatings. This helps to more effectively produce color-accuracy and contrast-rich imagery in a variety of lighting conditions.
Though full-time manual focus is available, this lens is equipped with a stepping motor that enables smooth, high-speed autofocusing that is notably quiet whether utilizing features such as Face/Eye Detection AF or during video shooting. A built-in Autofocus-Lock (AFL) button can be assigned additional functions to widen the range of operations available on the lens, while inside, a rounded 11-blade diaphragm improves image quality by helping to create smooth bokeh. Additionally, a built-in lens hood serves to protect the front element as well as prevent stray light from causing flare.
As part of the Art line within Sigmas Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
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Five Special Low Dispersion (SLD) elements and one F Low Dispersion (FLD) element markedly reduce chromatic aberrations and color fringing throughout the zoom range for improved clarity and color accuracy.
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A Super Multi-Layer Coating combined with a Nano Porous Coating has been applied to lens elements in order to minimize lens flare and ghosting to a greater degree than conventional anti-reflective coatings. The combination of these coatings produces contrast-rich and color-neutral imagery, and help to make the lens even more effective in backlit conditions.
A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance. Full-time manual focus control can also be selected.
Built-in Autofocus-Lock (AFL) button can be assigned additional functions widens the range of operations available on the lens.
Rounded eleven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
Front lens element has been treated with a water- and oil-repellent coating to benefit working in harsh environmental conditions.
Included rear filter holder is equipped with a fall-prevention lock for attaching and securing gel filters along the lens mount.
Weather-resistant construction with a brass bayonet that affords improved mounting accuracy and rigidity.
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Improved Optical PerformanceA hallmark of the G Master line is outstanding optical performance with both high sharpness and smooth bokeh. Using a new design, the FE 70-200mm f/2.8 GM OSS II promises corner-to-corner sharpness across the entire zoom rangeeven when shooting wide open at f/2.8. Along with that, a newly designed 11-blade aperture helps create soft, pleasing bokeh.
Fast f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.
Two ED (extra-low dispersion) and two Super ED elements, including one aspherical ED element, effectively suppress chromatic and spherical aberrations.
Two aspherical lenses, including one extreme aspherical lens (XA), minimize distance-related aberrations and also reduce onion ring bokeh.
Nano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.
An 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.
Optimized for VideoTaking cues from their cinema division, Sony has optimized the 70-200mm II for video. Changes include a dramatic reduction of focus breathing and focus shift, improved autofocus performance, and a Linear Response MF system to ensure consistent, natural-feeling operation. Full-time Direct Manual Focus (DMF) also makes it easy to make quick adjustments using the focus ring while in AF modes.
The exterior design of the lens also sees some big changes. One clear example is the addition of a physical aperture ring that was not present on its predecessor. Users will be able to de-click this ring at the flip of a switch for smooth iris control during shooting. This provides shooters with independent controls for focus, zoom, and iris.
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Among the biggest improvements with the 70-200mm II is a vastly superior autofocus system. Now comprised of 4 XD Linear motors, the lens now performs up to four times faster. Focus tracking while zooming sees its own specific improvement of around 30% when compared to the previous model. Users will also enjoy high-speed continuous shooting at up to 30 fps with AF and video will benefit from the near-silent operation.
An advanced Optical SteadyShot image stabilization system will ensure sharp images while shooting handheld at even the longest focal lengths. Multiple modes are available, including standard, panning, and a new Mode 3 for moving subjects.
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Being designed for professional use, the 70-200mm II has been ruggedized with advanced weather sealing. The weight has also been reduced by approximately 29%, to just under 2.3 lb, making this model among the lightest in its class. Optics have also been designed for balance with an internal zoom mechanism, minimizing front heaviness to provide a more ergonomic center of gravity.
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Focus range limiter switch will optimize performance and improve AF speed and responsiveness in certain shooting scenarios.
Zoom ring torque has been optimized.
Iris lock switch prevents users from accidentally moving the aperture ring to or from the auto aperture position.
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Included lens hood features a locking button and a filter window for easier adjustment of variable filters (e.g. polarizers, ND).
Teleconverter Compatibility
The FE 70-200mm f/2.8 GM OSS II is compatible with Sonys optional FE 1.4x and 2.0x teleconverters. These teleconverters can be used while still retaining full autofocus capabilities. When used, the 1.4x and 2.0x teleconverters will provide effective focal lengths and apertures of 98-280mm f/4 and 140-400mm f/5.6, respectively.







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